silent film ramona

She has said, indeed, that she is happiest when acting in stories by me, directed by my brother. Many film enthusiasts see Carewe as del Río’s steppingstone to fame in Hollywood as an actor and singer. Ramona is a 1928 American silent drama film directed by Edwin Carewe, based on Helen Hunt Jackson's 1884 novel Ramona, and starring Dolores del Río and Warner Baxter. Released in 1910, the silent film was directed by D.W. Griffith, and stars Mary Pickford as Ramona and Henry B. Walthall as Alessandro. Ramona has been adapted several times for other media. Silent Movie Mondays: Ramona Recommended. Ramona will be accompanied by theatre organist Bob Salisbury, who’ll be playing our Mighty 1924 Wurlitzer pipe organ! In 1910, director D.W. Griffith and his crew used Camulos as the set for a silent-film version of “Ramona,” starring Mary Pickford in the title role. Based on a weepy, once-popular novel by Helen Hunt Jackson, Ramona tells the story of a mixed-race (Scottish and American Indian) girl who is raised by a Mexican family and suffers racial discrimination. The coming of sound limited the roles Dolores could play because of her accent, but she did manage to score big in “Bird of Paradise” (1932), and “Flying Down To Rio” (1933), an … Del Río’s relationship with Carewe became strained as the director suggested they were romantically involved, a deception the popular press helped to spread. Del Río had a hit with Ramona and with the title song, which the public loved even before the movie opened. Helen Hunt Jackson wrote her 1884 novel Ramona as a beacon against racism and injustice, the Uncle Tom’s Cabin for the Native American. Nonetheless, the atmospheric, authentic story Jackson wrote from her experiences among the Mission Indians struck a lasting chord with the public. Under the auspices of Edwin Carewe Productions and Inspiration Pictures, Carewe and his screenwriter brother Finis Fox developed properties for del Río to capitalize on her beauty and exoticism, among them an adaptation of Leo Tolstoy’s Resurrection (1927), in which she played a Russian peasant girl. Learning that she is actually half-Indian reveals the source of her stepmother’s contempt yet frees her to marry. The different episodes are told discreetly and with a good measure of suspense and sympathy. UC Davis professor and composer Pablo Ortiz has scored a dramatic new work to accompany a classic silent film, Ramona (1910), adapted from Helen Hunt Jackson’s novel of the same name — … The film was remade in 1928 (dir. Carewe, born Jay Fox and of Chickasaw ancestry, was a well-established director for First National, MGM, Universal, and Paramount. But she falls in love with Alessandro (Warner Baxter), a Native American. Del Río’s relationship with Carewe became strained as the director suggested they were romantically involved, a deception the popular press helped to spread. The hardships and cruelty piled on Ramona arouse pity in the audience. She created Ramona, a half-caste Indian adopted by a wealthy Mexican-American widow, who falls in love with and marries a Native American sheep shearer, only to suffer great hardship, including the death of a child after a white doctor refuses her treatment. [6], Helen Hunt Jackson and Edwin Carewe shared a goal of exposing the mistreatment of the Native Americans at the hands of the U.S. Federal Government through the means of Ramona. [5] An article by Indian Country Today revealed the fact that Carewe discovered del Río in Mexico and invited her to Hollywood to perform in his film. In only her fourth film, she played the coveted part of Charmaine de la Cognac in Raoul Walsh’s 1926 version of What Price Glory? When her 1881 nonfiction work A Century of Dishonor and a later government report on the Mission Indians of Southern California failed to effect change, she decided to mobilize public opinion with a novel to detail the prejudice, displacement, and outright murder Native Americans suffered at the hands of intolerant whites and Mexican Americans. Del Río recorded the film's theme song, "Ramona." The first was a silent film by the same name, released in 1910. The 1928 film version features internationally acclaimed Mexican actress Dolores Del Rio in the title role and non-Native actor Warner Baxter as her ill-fated Indian husband Alessandro. [8], "Recovered and Restored: 'Ramona,' Silent Movie by Chickasaw Filmmaker", https://en.wikipedia.org/w/index.php?title=Ramona_(1928_film)&oldid=996694463, Films based on Ramona by Helen Hunt Jackson, Short description is different from Wikidata, Creative Commons Attribution-ShareAlike License, This page was last edited on 28 December 2020, at 03:32. The newly preserved print of the Dolores Del Rio starrer premiered on March 29 at the Billy Wilder Theater in Los Angeles and screened at … This romantic tragedy relays the tragic death of Ramona and Alessandro’s child at the hands of a Caucasian doctor, who refuses to help their child because of his skin color. English: Ramona Langley (1893 – 1983), silent film actress Subjects: actresses; Date: 1914. Topics: Billy Bitzer, silent film, silent movie stars, classic film, old movies, silent film streaming,... Silent … There is at once a feeling of interest noticeable between them which ripens into love. She headed back to Mexico where, over the next 30 years, she helped put the burgeoning Mexican national cinema on the map, most notably with the Cannes Film Festival Grand Prix winner María Candelaria (1943), one of five collaborations she made with director Emilio Fernández, writer Mauricio Magdaleno, cinematographer Gabriel Figueroa, and actor Pedro Armendáriz. The 1928 silent film Ramona, directed by Edwin Carewe, jump-started her career, as well as that of her co-star Warner Baxter, depicted as Alessandro in one of the photographs. She was ultimately unable to avoid stereotyped roles altogether—Photoplay described her in the Bizet-opera-inspired The Loves of Carmen (1927) as “raven-haired, olive-skinned sinuous-limbed Carmen”—but she escaped the fate of her her less-well-connected compatriot, Lupe Vélez, who was irretrievably typecast as a Latina sex kitten. FEEL FREE TO FOLLOW US ON TWITTER @SilentFilmGems "Ramona", A Story of the White Man’s Injustice to the Indian, is a short drama featuring Billy Bitzer, a star of Silent Hall of Fame. Media in category "Ramona (1928 film)" The following 5 files are in this category, out of 5 total. Ramona has never been out of print and was adapted for the screen four times: a 1910 short directed by D.W. Griffith with Mary Pickford in the title role; a 1916 feature film (now lost) directed by Donald Crisp and starring Adda Gleason; a 1936 feature directed by Henry King with Loretta Young; and the 1928 version directed by Edwin Carewe, starring Dolores del Río. Ramona, however, failed to accomplish its author’s mission. In 2015 I t... English (US) Mary Pickford and Henry B. Walthall play a Native American couple who encounter oppression and tragedy. Copyright © 2019 San Francisco Silent Film Festival Privacy Terms, Copyright © 2019 San Francisco Silent Film Festival. Ramona (1928) American B&W : Eight reels / 7650 feet Directed by Edwin Carewe. Carewe met del Río at a party in Mexico City and induced her and her husband, an aspiring screenwriter, to come to Hollywood. Ramona is a 1928 American silent drama film directed by Edwin Carewe,[1] based on Helen Hunt Jackson's 1884 novel Ramona, and starring Dolores del Río and Warner Baxter. In 1916 the full-length silent film “ Ramona ” was released. Other versions were made in 1928, 1936 and 1946. Cast: Mary Pickford [Ramona], Henry B. Walthall [Alessandro], Kate Bruce [Ramona’s stepmother], Francis J. Grandon [Felipe, Ramona’s stepbrother], W. Chrystie Miller, Charles H. West [native American man in chapel], Dorothy West, Frank Opperman, Gertrude Claire, Mack Sennett [the first white persecutor] Her (wicked) stepmother pampers Felipe and openly scorns Ramona, strenuously opposing her wish to marry Alessandro, a match that would disgrace the Moreno name. In 1943 Del Rio returned to Mexico to continue her career. Parts of the film were shot in Zion National Park, Springdale, and Cedar Breaks National Monument, all in Utah. Fox told the Los Angeles Times, “I feel that I understand Miss Del Rio better than she does herself. Alessandro, the Indian, arrives at the Camulos ranch with his sheep-shearers, showing his first meeting with Ramona. Fashion designer Peggy Hamilton, whose most famous client was fashion plate Gloria Swanson, created a wardrobe for del Río that ranged from traditional Spanish lace to haute couture and ensured that del Río fashion spreads appeared in women’s magazines and newspapers. The star was denied a work permit to appear in 20th Century Fox’s Broken Lance (1954) because she had aided anti-Franco refugees of the Spanish Civil War. Come to the Mission Playhouse for a free silent film screening of the 1928 classic Ramona, directed by Edwin Carewe starring Dolores del Rio & Warner Baxter. A family secret threatens their happiness. Musicians She took television and movie roles in the United States (including playing Elvis Presley’s mother in 1960’s Flaming Star), Italy, and Mexico until 1978, when she made her last film, The Children of Sanchez, an American production with fellow Mexicans Anthony Quinn and Katy Jurado. This was the first United Artists film with a synchronized score and sound effect, but no dialogue, and so was not a talking picture. This was the first United Artists film with a synchronized score and sound effect, but no dialogue, and so was not a talking picture. Jackson’s story dovetails with the heritages of both the star and director of the 1928 version. Interior Department agent, became radicalized after attending a lecture given by Ponca Chief Standing Bear, who told harrowing tales of forced removal from their lands in Nebraska and mistreatment by government agents. Together we contrive characterizations exactly suited to her abilities and her limitations.”. [4] Ramona is differentiated from most films with a typical Hollywood ending because of its authentic cultural values embedded throughout. For decades, Ramona was thought to be lost until archivists rediscovered it in the Národní Filmový Archiv in Prague in 2010. [2]:286, Mordaunt Hall of The New York Times found much to praise in what he called "an Indian love lyric": "This current offering is an extraordinarily beautiful production, intelligently directed and, with the exception of a few instances, splendidly acted. The film deals with complex issues of race and was adapted from a best-selling book by Helen Hunt Jackson, first published in 1884. Ramona is a little orphan of the great Spanish household of Moreno. The only available copy was given to the Library of Congress to replicate and then send back to the Czech Republic. After she passionately defended herself in a letter to the House Un-American Activities Committee, she regained her U.S. work privileges. Language Silent, English intertitles "Ramona", A Story of the White Man’s Injustice to the Indian, is a short drama directed by D. W. Griffith. Del Río grew up in privileged circumstances in Mexico City and married Jaime Martinez del Río, a British-educated lawyer from a wealthy Mexican family. Ramona is a 1910 American short drama film directed by D. W. Griffith, based on Helen Hunt Jackson's 1884 novel Ramona. adaptation of Helen Hunt Jackson's 1884 novel gives viewers a pretty harsh revisionist glimpse at how Native Americans were treated in Southern California during the Gold Rush era. Del Río’s public image became the responsibility of publicist Harry D. Wilson, whom Carewe hired to give her a makeover into a fashionable woman of, alternately, Mexican, Spanish, or Castilian heritage. The dramatic lighting of cinematographer Robert D. Kurrle almost beatifies del Río and lends dignity to a character who might just as easily have aroused prejudice. Ramona Parlor is planning a screening of a silent film entitled "Ramona" which will be co-presented by the Playhouse as a Community Engagement event, and also with support of the Los Angeles Theatre Organ Society (LATOS). Cast: Dolores Del Rio [Ramona], Warner Baxter [Alessandro], Roland Drew [Felipe], Vera Lewis [Señora Moreno], Michael Visaroff [Juan Canito], John T. Prince [Father Salvierderra], Mathilde Comont [Marda], Carlos Amor [the sheepherder], Jess Cavin [the bandit leader], Rita Carewe [the baby], Jean the dog Library of Congress Moving Image Curator Rob Stone was in charge of the challenge of converting Ramona’s Czech intertitles back into English. The novel had been previously filmed by D. W. Griffith in 1910 with Mary Pickford, remade in 1916 with Adda Gleason, and again in 1936 with Loretta Young. Ramona was to be reintroduced several times. He died six years later. With the advent of sound movies and Technicolor, Ramona was reintroduced in 1936 to a new generation in a version starring Don Ameche and Loretta Young. Jackson, a writer and U.S. Some of the characters have been changed to enhance the dramatic worth of the picture, but this is pardonable, especially when one considers this subject as a whole. Del Río’s successes in Mexico were of little help to her as she tried to make a re-entry into Hollywood, then in the grip of McCarthyism. For decades, the 1928 silent version of Ramona was thought lost until archivists discovered it in the Národní Filmový Archiv in Prague, Czech Republic. Henry King) with Loretta Young. Iconic screen siren Dolores del Río starred in this silent film thought long lost until a print was discovered ten years ago in the Czech Republic. He not only directed her in many of her early films but also acted as her manager, developing her on-screen persona and guiding her toward stardom. Filmed April 1 and 2, 1910, D.W. Griffith’s adaptation of Helen Hunt Jackson’s novel, “Ramona,” is the earliest film known to have been made in the Santa Clara River Valley. The beautiful Mexican actress Dolores del Rio starred in another silent film version in 1928. Presented at SFSFF 2014 with live music by Mont Alto Motion Picture Orchestra, Photos by Pamela Gentile and Tommy Lau. The scenic effects are charming. In March 2015 it won the distinction "Award of Merit" at the San Francisco Film Awards. Join us on Thursday, February 15th, at 7 p.m. for the silent-era motion picture, “Ramona,” starring Dolores Del Rio, which will have live organ accompaniment by noted organist Blaine Gale. Movie Still Photographs, Plot Synopsis and Credits for the Silent Film RAMONA, released in 1920 ~Ramona~ 1928 ~Dolores Del Rio & Warner Baxter~ ~Plot Synopsis~ The 1928 production Ramona was the third film version of the Helen Hunt Jackson novel of the same name, first dramatized (in one reel!) There will be live organ accompaniment for this recently re- discovered and restored silent film. At a time when “exotics” were played almost exclusively by Anglo actors and actresses, del Río won acceptance through careful image management by Carewe. Following Ramona, del Río searched for appropriate roles to dignify her heritage. "[3], An article published by UCLA revealed that the 1928 film is believed to be the most authentic of the five film adaptations of Ramona since the director Edwin Carewe was part Chickasaw and Dolores del Río was raised in Mexico. Through a love story, the early silent short explores racial injustice to Native Americans and stars Mary Pickford and Henry B. Walthall. Paramount Theatre Downtown Mon., Feb. 6, 7-10 p.m. 2017 All Ages $10. It was not used in the 1936 version. The restored version of the 1928 film had its world premiere in the Billy Wilder Theater with the Mont Alto Motion Picture Orchestra playing live at the University of California, Los Angeles on March 29, 2014. She is only able to recover from her depression and remember her feelings for Felipe when he sings a song from their childhood to restore her memory. We are proud to present to all silent film lovers our multiple award-winning documentary! The Library of Congress has completed preservation of the recently repatriated silent film Ramona (1928), long considered lost. Ramona (Dolores Del Rio), raised on a Spanish rancho in 1850's California, is loved by her step brother, Felipe (Roland Drew). Del Río’s contract with Carewe specified that all her pictures would be made with “first-class scenarios and produced in a high class and artistic manner.”. It was directed by prominent Native American director Edwin Carewe and highlighted problems with racism in the culture at the time. Both the book and the film, however, were popularized because of their dramatic, romantic, and cultural aspects.[7]. Henry B. Walthall as Alessandro and Mary Pickford as Ramona in 1910 silent film. The novel had been previously filmed by D. W. Griffith in 1910 with Mary Pickford, remade in 1916 with Adda Gleason, and again in 1936 with Loretta Young. Dolores del Río died in 1983 in Newport Beach, California, leaving behind a legacy of integrity and excellence for future Latina actresses to emulate. A copy of the print survives in the Library of Congress film archive. Del Río made a rapid climb to stardom, usually playing innocents battered by fate or love (or both) into compromised circumstances. In September of 1927, Dolores Del Rio traveled to Zion National Park with a film company, to film exterior sequences for the film Ramona (1928). Del Río is utterly convincing as a tragic, romantic figure despite the mawkish device of amnesia she had to negotiate. Carewe's older brother Finis Fox had written Ramona's screenplay and created its intertitles. It was directed by D. W. Griffith and starred Mary Pickford. The film depicts Ramona, who is half Native American, as she is raised by a Mexican family. Del Río’s second marriage to MGM art director Cedric Gibbons helped secure her as a member of the Hollywood elite, but her thick accent consigned her to ethnic roles in melodramas and a number of Busby Berkeley musical comedies. Besides being an absorbing Western melodrama, this (third!) Instead, it became a best-seller on the strength of its central romance and picturesque rendering of Southern California. The song, performed by del Río for RCA Victor, was synched with a scene in the otherwise silent film; her version was reused for the 1936 Ramona. Related Please make your tax-deductible donation to Rancho Camulos Museum today. Learn about our incredible musical partners, SFSFF Preservation restores and preserves silent era films. Carewe did not make the transition and his career ended in 1934. Del Río was the antithesis of Hollywood glamour when she first arrived in the United States, beautiful, but old-fashioned in her modest dress and appearance. Carewe and Finis Fox both made claims that they were the sole reason for the actress’s success. by D. W. Griffith in 1910. Edwin Carewe) with Dolores del Río and 1936 (dir. Other silents of note for Dolores were “Ramona” (1928), and “Evangeline” (1929). “He told me I was the female Valentino,” del Río recalled in a 1981 interview, a label that was picked up by the entertainment press of her time. The sound era, however, saw her fortunes and those of her benefactor, Edwin Carewe, wane. Ramona is a 1928 American silent drama film directed by Edwin Carewe. Add to iCal Add to Google Calendar. The San Francisco Silent Film Festival is a nonprofit organization dedicated to educating the public about silent film as an art form and as a culturally valuable historical record. Transferred to acetate safety stock, the restored version had its world premiere in Los Angeles in March of this year. Ramona (1910) American B&W : One reel / 995 feet Directed by D.W. Griffith. The Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress later transferred Ramona’s highly flammable original nitrate film to acetate safety stock. Functions Dolores Del Rio, born in Mexico, was a popular motion picture actress in the 1920s and 1930s. The song, performed by del Río for RCA Victor, was synched with a scene in the otherwise silent film; her version was reused for the 1936 Ramona. The title character is beautiful, carefree, happy, and innocent as she plays with her adopted brother Felipe. Shortly after, the couple moves away, and Alessandro is killed by a white man for robbing him of his horse; Ramona eventually reunites with her childhood friend Felipe and starts a new life as a depressed woman. Journey into Fear (1942) was her swan song to both her lover Orson Welles (the film’s producer and uncredited director) and Hollywood. Ramona suffers racism and prejudice in her community, and when she finds out that she is half Native, she chooses to identify as a Native American instead of a Mexican American so that she can marry Alessandro, who is a Native as well. Ramona came to typify del Río’s early screen image. Ramona (1910) A Silent Film Review One of the first brand name novel-to-screen adaptations and an early California production, this was one of the most expensive films ever made when released in 1910. 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